Archive | May, 2010

Pencilcast Ramblings: Episode 0011 – Progress Report

29 May

What did I do in the past week and what are my plans for the coming week?

Mentioned in this episode are:

Art explained in a book

29 May

I always wondered what art exactly was and how art and commerce are related. That was, until I read the book “On the Origin of Stories” by Brian Boyd.

Mr. Boyd builds on the accomplishments of evolutionary biology, and his title refers to the book by Charles Darwin “On the Origin of Species.” On the Origin of Stories is not as Earth shattering as the book by Darwin, but it offers a science-based framework of thought for literary critics, as opposed to the somewhat dogmatic approach of Theory.

I will not do a book review, because others have done a better job at that than I ever could. However, I would like to point out that Boyd’s book has taught me new concepts about art.

Published art (which I refer to as “art” in the remainder of this post) is all about getting attention from the artist’s point of view, and giving attention from the audience point of view. Since time is limited, the amount of attention we can give is limited. This means that artworks that attract more attention will receive a higher status, and by attribution, the artist will share in this status.

I make this distinction, because the creator of an artwork is not necessary the performer. In fact, an artwork may be created by several individuals, as is the case with Hollywood movies. The “performance” of such a movie (read: screening) does not require the creators to be physically present, even if they could be. By being mentioned in the credits, the contributing artists share in the possible success of the movie by attribution (in case you were wondering why credits exist in the first place).

Since people can only spend so much of their free time on paying attention to art, there will be a natural struggle for the most attention, based on people’s preferences (on what they like). This, of course, is a set-up for an evolutionary struggle among works of art (as it were, “survival of the fittest”), where the prevailing “taste du jour” will attract the most attention, while those who don’t will remain largely unknown and receive a lower status.

However, like evolution, in times of rapid change, established works may become less popular, while relatively unknown works, though with a loyal following, might rise in the ranks (get more public attention, hence a higher status). Since artists are constantly creating new works of art, a higher status of one of their older works will raise the status of both the current work and the artists themselves. We all know this phenomena of the unknown artist being discovered by the public.

Mind you, it is not that the discovered artist has somehow forced the discovery by a sudden change in style (if that’s even possible, because a major change in personal style takes a long time), but rather that the changed circumstances have made the art appealing to a larger public. It seems that audience preferences can change faster than personal artist styles. This means rather than trying to chase what is popular now, the artist better develop their own styles to perfection, so in case they are discovered, the artist can follow up with new works of art.

Now I’m repeating something I posted on my Google Buzz account.

Art is about personal preference, appeal. Artists try to get attention from an audience, and get rewarded with a higher status by that audience. In fact, audience attention is equal to status. This means it predates economics, perhaps even humans.

So, basically, art can exist without money. Even people who don’t use money (e.g. toddlers) appreciate art and artists. I think this means the main motivator for art should be appeal. Money is just a derivative of that appeal (as a token of appreciation).

Once money becomes the main drive behind art, as always is the case with commercial entities, its appeal can’t but deteriorate. Art appeal is about novelty, surprise, invention, something which gives meaning beyond the boundaries of the particular work and becomes the center of attention in people’s lives.

This is why, in my opinion, artistic endeavors and business concerns should be strictly separated if an artist wants to become —and remain— successful. The business side should merely exist to serve artists, to provide them with a source of income. Art should never be about making money.

While art by committee isn’t necessarily bad, it often devolves into that because the focus shifts from attracting attention towards maintaining the size of an audience. And the latter doesn’t appeal to many people, I’m afraid.

While I’m still digesting the content of “On the Origin of Stories”, I can already see some of the benefits of having read this book. I highly recommend reading it, especially if you struggle with some of the same questions I did: “What is art, and why should I care?”

Cat’s contour sketch

26 May

I made a contour sketch based on a photo on the computer screen of a running cat.

contour sketch, drawn on May 26, 2010

Pencilcast Ramblings: Episode 0010 – Planning the future

22 May

I did another recording, rambling about my live appearances on Ustream.

Mentioned in this episode are:

Warm-up sketch for May 20, 2010

20 May

A time-lapse video (sped up approximately 10x) while I was drawing a toy tiger as a still live drawing.

Warm up sketch for May 20, 2010

Cute kitten, inked on May 13, 2010

13 May

The idea was to make something almost anyone can make, and to have a cat as its subject.

For this experiment I used the match stick depicted on the top right to create this inked drawing. I also used regular Indian ink, an old photo of a Burmese kitten, a color scanner, a color printer, and a piece of thick drawing paper that fit in the paper tray of the printer.

Cute kitten, inked on May 13, 2010

I first scanned the original photo, edited out most of the background in an image editor (I used the free GIMP, but I guess Photoshop or Photoshop Elements will do just as well), turned it into a blue and white picture**, which I printed on a piece of thick drawing paper.

After inking the drawing, I glued the (now broken) match stick to the drawing, used an unused stick to balance and scanned in color. By decomposing in CMYK and removing the CMY layers, I was left with the inked drawing, while removing the printed "underdrawing". Finally, I leveled out the image (31, 1.00, 241) and saved it as a JPEG.

** Note — I used this technique: 1) desaturate the image, 2) invert the colors in the main layer, 3) create a new layer, 4) fill it with #d76e30 (R=215, G=110, B=48), 5) set the new layer’s layer mode to Multiply, 6) flatten the image, 7) invert the colors.

BTW I used a match stick instead of a regular brush or dip pen, because it makes you less precious about the outcome. It should be about having fun, not about skill and technique. You can’t be very precise with a chewed match stick. Yes, I chewed on the non-business end of the stick, to make it flatter and more flexible, like a brush.

Quick sketches

12 May

Here are some quick sketches of television stars (Tarzan, Pipo The Clown, Zorro, Fozzy Bear, and Ivanhoe).

Tarzan (Johnny Weismuller) Pipo The Clown Disney Zorro Fozzy Bear Ivanhoe