Archive | September, 2011

Using childhood memories to combat writer’s block

23 Sep

The podcast Grammar Girl had a good episode 292 about overcoming writer’s block, written by Roy Peter Clark, who teaches at the Poynter Institute. Especially "Lower your standards, raise them later," seems to apply to me. I get bogged down by how awesome my story is going to be. It paralysis the creative output, paraphrased from Mignon Fogarty narrating in the podcast.

First of all let me apologize for not posting for so long. I was preoccupied with personal fitness, which had gone down to an all-time low. Getting back into shape (which I’m still busy with) took all my attention, but now I’ve dialed down the intensity a bit, I have energy (and time) to resume writing.

Now about lowering your standards at the beginning. This very post you’re reading started with a few sentences written with a ballpoint pen on a piece of paper. Then I didn’t use a fancy text editor, but just what came with the OS (TextEdit on Mac OS X).

To help me with the formatting a bit, I used Marked by Brett Terpstra. It accepts markdown, as suggested by John Gruber of Daring Fireball. It also accepts an "improved" version of markdown, called multimarkdown, as developed and maintained by Fletcher Penney. Both methods use plain text files without special formatting (like RTF). The text and the formatting of the text are both readable, in characters you type on a keyboard, not by selecting text and applying style to it, as you would do in a word processor. Special tools exist to translate these plain text files into publishable formats, like HTML. You only need to write one source file to have multiple publication formats.

But never mind that, though. Use whatever tools work best for you. The point I wanted to make is that I used the simplest of tools, as lo-fi as possible, to lower my expectations and simply write instead of worrying about how it looks.

As useful simple and unpretentious tools may be for the writer, he or she still has to walk the walk. The basics of writing haven’t really changed in the last few hundred years. You need to come up with an idea that makes you want to work hard at something that (hopefully) will grab the reader’s attention.

Now as a writer you can only entice a reader to keep on reading. So how about that? How do you even begin to work on that part of the writing process? How do you get people to read what you write, especially if those people don’t know you personally?

Well, as an experiment, I went over some of my fondest childhood memories related to reading books. My reasoning was that if I can capture this feeling of fondness, use it for writing, surely some of it will be picked up by the reader. Maybe he or she will think: "Wow, this is good stuff! I need to read more of this!" If that’s the case: yay!

As a kid, I really enjoyed reading C.S. Lewis’ Narnia, "The Lion, The Witch and The Wardrobe" (in Dutch translation), which my mother lent from the local library when I had the flu and high fever (41 C, 106 F). I could only read a few pages at a time before I feel asleep from exhaustion, tears to my eyes. I’m not sure if those tears were from exhaustion (fever) or excitement (story). I guess a bit of both. It made the pain in my bones feel somewhat bearable and gave me something positive to think about when I was awake.

Sometimes your imagination can be sparked by something else than a book. I have fond memories of watching tropical fish in a fish tank. The sight made me imagine another world from my own, completely alien, but real. Real to me at least, at that moment. I can’t remember the specifics, though, because I didn’t write them down.

I think it is this mindset of a young child wondering about the world you should be after, not indulging into some kind of nostalgia. There’s nothing wrong with the latter, other than it isn’t very productive for writing. You want the feeling, the mindset, not the accompanying train of thoughts of how things were better when you were young.

You want a sense of wondering, of seeing something for the first time, and wanting to explore it with a sense of discovery. In this mindset you could write the stars in the Heavens, if you wanted, and convey your deepest, most inner feelings to your readers (as you should).

Most likely, though, your very first draft will not accomplish the latter. You need to craft your story first before you can do that. However, if you don’t capture the description of your initial feelings, when things are still fresh in your mind and haven’t been tested and prodded by the story-writing process, you can never blossom as a storyteller. You need to be always on the ready. There’s no such thing as a part-time creative. It’s a full-time commitment, because new ideas can come to you at any moment and you need to capture them, then and there.

With the above in mind, I think one should use this child-like mindset for a first draft only, to get the rough emotions on paper, in words (and in the case of comics, in words and pictures). It’s the longing for something awesome, for something new and exciting, that you want to put in the reader’s mind. I didn’t do that with my childhood fish tank experience, but, as an adult and aspiring writer now, I should apply discipline to my craft if I want to be more than just another hack who only does first drafts.

You may now think I’m harping on it too much, like a religious zealot and you may be right. I can get carried away a bit by new insights. I’m sure I’m preaching to the choir here for you more experienced writers. Experienced as a writer, a fiction writer, I am not. So this hopefully explains why I’m stating the obvious, to some of you at least.

I suppose in the second, third, etc. draft you start to use your skill as a writer, reorganizing events. You want to take the reader by the hand and gently lead them through your world, using a plot, a sequence of events, to tell them what this world is about. You, the writer, are not in that picture, not for them and not even for yourself. It should be all about the experience, the experience you had and want to share to others.

After all, isn’t that what fictional storytelling is all about, sharing sublime experiences?

Keep writing!

Scrap that web comic?

2 Sep

It has been a long time since I posted something to read on this blog. At least, it feels like it. Since I started the web comic and, probably most of all, a personal goal to get into shape for a marathon by the end of this year, all my energy seems to go into that.

What bugs me the most about my web comic is that I’m so self-conscious. With that I mean I don’t just create something, but think heavily about what people are going to think about it. That may sound sensible, but it’s not. It’s keeping my creative ideas hostage.

This is exactly what I was afraid of. People told me: “If you want to do a web comic, just create one, don’t think too much about it.” Bad advice. For me at least. Now I’m stuck with that web comic.

I’m reading Orson Scott Card’s excellent book, titled “How To Write Science Fiction & Fantasy.” It’s not so much a recipe book, but more a book about how to approach the creative process of writing novels, with a focus on speculative fiction. He has some great advice on ripening ideas:

The first thing you should learn […] is that no two stories are developed in exactly the same way. However, in my experience one thing is constant: Good stories don’t come from trying to write a story the moment I think of the first idea. All but a handful of my stories have come from combining two completely unrelated ideas that have been following their own tracks through my imagination. And all the stories I was still proud of six months after writing them have come from ideas that ripened for many months—usually years—between the time I first thought of them and the time they were ready to put into a story.

“Great,” you say, “I pick up this book, hoping to learn how to write speculative fiction, and now this guy’s telling me that I have to wait months or years before writing stories about any new ideas I think of.”

That’s what I’m telling you: You’ll probably have to wait months or years before writing good versions of story ideas you come up with now. But you probably already have hundreds of story ideas that have been ripening inside you for many years. For some writers, one of the best ways to help an idea ripen is to try writing a draft of it, seeing what comes up when you actually try to make it into a story. As long as you recognize that the draft you write immediately after thinking of the ideas will almost certainly have to be thrown away and rewritten from the beginning, you’ll be fine.

That’s just dandy! I wished someone told me that earlier. Since I’ve only started this thinking about stories this year, and reading other people’s stories has been limited by no access to them other than buying online, I have little reading experience as well.

So what should I do, start all over or muddle through? I’m tempted to put it on indefinite hiatus until I’ve found a good way to express my ideas.